Arlene Wohl

ARTIST STATEMENT

My love for fiber passed through my genes from my immigrant mother,

 a talented embroiderer, and my father, all his life a sewer. But it was my visually impaired students that led me to weaving as a craft they could master; it soon determined my life’s work as a designer/weaver of limited edition and one of a kind textiles for wearables. 

When I retired from fashion I continued to recycle my woven remnants into sculpture, collage and mixed media. I incorporated techniques such as dyeing, crochet, felting paper, flax and wool. Freed from the restriction of the loom, I   am always exploring new methods of expression; coiling, wrapping, knotting, earth pigment painting, expressive stitching, mark making- an endless list. Often concept driven, I love to write ekphrastic poetry in which words  resonate with the art and vice versa. There are many ways to tell a story.

  • Graham Life is so precious. Through my art, I hope to convey my deep appreciation for the “life force” and I invite the viewer to share in the wonder I experience as an artist and protector of life in all forms. That “quickening,” that “life force” is a constant energy that surges through my veins and sparks my creativity. I am a creative; an artist, a dancer, a mother. I make art because I must. An interesting concept, an unusual form, or a sudden vision can steal me from my duties or awaken me from my dreams. My interests in preserving the environment and promoting social justice frequently drive the message of my artwork. My pieces often begin with a visceral response to an act of injustice or the destruction of our natural world and explode into social commentary. In the mid 1980’s, I passionately explored the ancient Japanese tradition of handmade paper. I was attracted to the use of natural fibers, water, and elements that promote fibrous interaction to ultimately produce a thing of beauty. Ten years later, I embraced the challenge of creating beauty and complexity from other materials that were raw and simple. This inspired me to explore a variety of media from transformed fabric and knotless netting, to repurposed, reclaimed, and reimagined materials. Then in 2009, life changes propelled me to become passionate about felting wool. As in making paper, felting wool transforms natural fibers through the use of water and fibrous interaction. By employing wet and dry techniques, laminating gauzy silks to the wool fibers, inlaying embellishments, and blending colored fleece, I create painterly fabrics, unique wall art, and exciting three-dimensional forms. As an Obstetrical nurse for four decades, I was entrusted with guiding women in the most awe-inspiring form of creation. Similar to assisiting the labor process, felting requires strength, calculation, patience, and a sensitive connection to the subtle transformation of the material. The fact that I am passionately attracted to the tactile, rhythmic, spiritual, water-dependent nature of my professions as a nurse and as an artist does not escape me.